september 1, 1998 ## principles of voice production free ingo r. titze; daniel w. martin check for updates j. acoust. soc. am. 104, 1148 (1998) https://doi.org/10.1121/1.424266 ## articles you may be interested in archaeoacoustics j acoust soc am (april 2007) master handbook of acoustics, fourth edition j acoust soc am (october 2001) fundamentals of hearing: an introduction (4th edition) j acoust soc am (october 2001) advance your science and career as a member of the acoustical society of america james f. bartram 94 Kane Avenue, Middletown, Rhode Island 02842 these reviews of books and other forms of information express the opinions of the individual reviewers and are not necessarily endorsed by the editorial board of this journal. editorial policy: if there is a negative review, the author of the book will be given a chance to respond to the review in this section of the journal and the reviewer will be allowed to respond to the author's comments. [see “book reviews editor's note,” j. acoust. soc. am. 81, 1651 (may 1987).] ## principles of voice production ingo r. titze prentice-hall, inc., englewood cliffs, new jersey, 1994. 354 pp. price $66.00. although written primarily as a text for students and teachers of vocal production, based as much as possible on scientific principles, this book is for “anyone interested in voice.” this includes all of us who speak, sing, sigh, hum, and hear. just as the study of acoustics in general is very interdisciplinary, some of the specialized subjects within acoustics are also interdisciplinary. voice production is a prime example. in this book, ingo titze has succeeded in blending knowledge drawn from research and experience in a variety of voice-related professions. concepts, definitions, and illustrations from anatomy, physiology, physics, aerodynamics, acoustics, speech science, hearing science, and music are presented and interrelated both for normal voice production and for several types of voice disorders. the artistic aspects of singing and the teaching of vocal technique are not neglected, but some of the related mythology has been dispelled or confirmed by knowledge gained from research that is explained, then identified by publication references at the end of each chapter. the reader of ‘‘principles of voice production’’ is not necessarily expected to have prior experience in any of the voice relatedseptember 1, 1998 ## principles of voice production free ingo r. titze; daniel w. martin check for updates j. acoust. soc. am. 104, 1148 (1998) https://doi.org/10.1121/1.424266 ## articles you may be interested in archaeoacoustics j acoust soc am (april 2007) master handbook of acoustics, fourth edition j acoust soc am (october 2001) fundamentals of hearing: an introduction (4th edition) j acoust soc am (october 2001) advance your science and career as a member of the acoustical society of america james f. bartram 94 Kane Avenue, Middletown, Rhode Island 02842 these reviews of books and other forms of information express the opinions of the individual reviewers and are not necessarily endorsed by the editorial board of this journal. editorial policy: if there is a negative review, the author of the book will be given a chance to respond to the review in this section of the journal and the reviewer will be allowed to respond to the author's comments. [see “book reviews editor's note,” j. acoust. soc. am. 81, 1651 (may 1987).] ## principles of voice production ingo r. titze prentice-hall, inc., englewood cliffs, new jersey, 1994. 354 pp. price $66.00. although written primarily as a text for students and teachers of vocal production, based as much as possible on scientific principles, this book is for “anyone interested in voice.” this includes all of us who speak, sing, sigh, hum, and hear. just as the study of acoustics in general is very interdisciplinary, some of the specialized subjects within acoustics are also interdisciplinary. voice production is a prime example. in this book, ingo titze has succeeded in blending knowledge drawn from research and experience in a variety of voice-related professions. concepts, definitions, and illustrations from anatomy, physiology, physics, aerodynamics, acoustics, speech science, hearing science, and music are presented and interrelated both for normal voice production and for several types of voice disorders. the artistic aspects of singing and the teaching of vocal technique are not neglected, but some of the related mythology has been dispelled or confirmed by knowledge gained from research that is explained, then identified by publication references at the end of each chapter. the reader of ‘‘principles of voice production’’ is not necessarily expected to have prior experience in any of the voice related