The article introduces the emerging field of multispecies ethnography, which challenges traditional anthropological boundaries by including non-human organisms in the study of human social worlds. This new genre of research highlights the interconnected lives and deaths of various organisms, such as animals, plants, fungi, and microbes, alongside humans. The authors discuss how this approach is aligned with Eduardo Kohn’s "anthropology of life," which focuses on the effects of human interactions with other living beings. They also explore the concept of "becoming," where categories of nature and culture blur, and the importance of understanding the agency and materiality of non-human entities. The article traces the historical roots of multispecies ethnography, from early studies of animals to contemporary debates about the "human" and the "anthropocene." It highlights the work of scholars like Donna Haraway, who emphasizes the need to move beyond human exceptionalism, and the contributions of artists and activists who engage with non-human subjects in innovative ways. The Multispecies Salon, an art exhibit and conference, is presented as a platform for interdisciplinary dialogue and the exploration of new modes of ethnographic research. The article concludes by discussing the challenges and implications of multispecies ethnography, emphasizing the need to rethink traditional categories of species and the importance of recognizing the agency and complexity of non-human beings.The article introduces the emerging field of multispecies ethnography, which challenges traditional anthropological boundaries by including non-human organisms in the study of human social worlds. This new genre of research highlights the interconnected lives and deaths of various organisms, such as animals, plants, fungi, and microbes, alongside humans. The authors discuss how this approach is aligned with Eduardo Kohn’s "anthropology of life," which focuses on the effects of human interactions with other living beings. They also explore the concept of "becoming," where categories of nature and culture blur, and the importance of understanding the agency and materiality of non-human entities. The article traces the historical roots of multispecies ethnography, from early studies of animals to contemporary debates about the "human" and the "anthropocene." It highlights the work of scholars like Donna Haraway, who emphasizes the need to move beyond human exceptionalism, and the contributions of artists and activists who engage with non-human subjects in innovative ways. The Multispecies Salon, an art exhibit and conference, is presented as a platform for interdisciplinary dialogue and the exploration of new modes of ethnographic research. The article concludes by discussing the challenges and implications of multispecies ethnography, emphasizing the need to rethink traditional categories of species and the importance of recognizing the agency and complexity of non-human beings.