The article explores the concept of dromomania and dromoscopy within the avant-garde movement, focusing on how these ideas relate to the anthropological and philosophical perspectives of Paul Virilio. Dromomania, characterized by an obsession with movement, speed, and progress, is linked to the avant-garde's pursuit of new aesthetic forms. Virilio's concept of dromoscopy, which involves the perception of movement and the creation of simulated realities, is used to analyze how avant-garde poetry, particularly the works of Julian Przyboś, transforms movement into a poetic experience. The article examines two of Przyboś's poems, "Na uskrzydłonych kołach" and "Na kołach," to illustrate the shift from a fascination with the dromomaniacal subject to a dromoscopic discernment. It highlights how the avant-garde movement, influenced by Virilio's ideas, seeks to create a new reality through movement, speed, and the perception of space. The text dromoskopowy, as developed by Kmiecik, is a poetic form that attempts to make movement present in language, reflecting the avant-garde's anthropological and philosophical concerns. The article also discusses the broader implications of dromoscopy in the context of modernity, the impact of technology on perception, and the relationship between movement, speed, and the creation of new aesthetic forms. Ultimately, the text emphasizes the avant-garde's attempt to transcend traditional forms of representation and to create a new reality through the dynamic interplay of movement, perception, and space.The article explores the concept of dromomania and dromoscopy within the avant-garde movement, focusing on how these ideas relate to the anthropological and philosophical perspectives of Paul Virilio. Dromomania, characterized by an obsession with movement, speed, and progress, is linked to the avant-garde's pursuit of new aesthetic forms. Virilio's concept of dromoscopy, which involves the perception of movement and the creation of simulated realities, is used to analyze how avant-garde poetry, particularly the works of Julian Przyboś, transforms movement into a poetic experience. The article examines two of Przyboś's poems, "Na uskrzydłonych kołach" and "Na kołach," to illustrate the shift from a fascination with the dromomaniacal subject to a dromoscopic discernment. It highlights how the avant-garde movement, influenced by Virilio's ideas, seeks to create a new reality through movement, speed, and the perception of space. The text dromoskopowy, as developed by Kmiecik, is a poetic form that attempts to make movement present in language, reflecting the avant-garde's anthropological and philosophical concerns. The article also discusses the broader implications of dromoscopy in the context of modernity, the impact of technology on perception, and the relationship between movement, speed, and the creation of new aesthetic forms. Ultimately, the text emphasizes the avant-garde's attempt to transcend traditional forms of representation and to create a new reality through the dynamic interplay of movement, perception, and space.