The article discusses the impact of mechanical reproduction on art, particularly in the context of Walter Benjamin's critique of资本主义 production. It highlights how mechanical reproduction has transformed the nature of artistic production, making it more accessible and widespread, but also leading to a loss of authenticity and aura in artworks. The author argues that while mechanical reproduction has democratized art, it has also led to a crisis in traditional artistic values and a shift towards a new form of art that is more focused on reproduction and mass consumption. The article explores how this transformation has affected various forms of art, including painting, photography, and film, and how it has influenced social attitudes and behaviors. It concludes by discussing the political implications of these changes, particularly in the context of fascism, where the organization of masses and the expression of their desires are prioritized over traditional artistic values.The article discusses the impact of mechanical reproduction on art, particularly in the context of Walter Benjamin's critique of资本主义 production. It highlights how mechanical reproduction has transformed the nature of artistic production, making it more accessible and widespread, but also leading to a loss of authenticity and aura in artworks. The author argues that while mechanical reproduction has democratized art, it has also led to a crisis in traditional artistic values and a shift towards a new form of art that is more focused on reproduction and mass consumption. The article explores how this transformation has affected various forms of art, including painting, photography, and film, and how it has influenced social attitudes and behaviors. It concludes by discussing the political implications of these changes, particularly in the context of fascism, where the organization of masses and the expression of their desires are prioritized over traditional artistic values.